Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession

1960s: Days of Rage

“It is no secret that the late Alfred Hitchcock was—and still is—not only one of the most revered filmmakers in the history of cinema, but also the ‘Master of Suspense.’ After having started his career as a silent film title designer and art director, the London-born auteur had his directorial debut with the 1925 (silent) movie The Pleasure Garden and subsequently went on to make a number of films that would, after a mere few shots, become instantly recognizable as his. Dramatic shadows, unpredictable visual revelations and odd camera angles were all part of his repertoire, with the narrative of wrongfully accused people becoming a pervasive one throughout his career. … One of them is, of course, the 1959 noir Vertigo (with the other three being Rear Window (1954), North by Northwest (1959) and Psycho (1960)). But the now-adored film was not always considered one of Hitchcock’s masterpieces, quite the…

View original post 197 more words

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s