A lot of academic work is collaborative. It’s a fine irony then that academics are generally managed, promoted and audited as individuals. Citation measures like google scholar are a prime example – publications are seen as solo affairs, even when most of the work that is represented in an H index is the result of team work.

But teams are often organised hierarchically. Pyramid team structures can lead to a load of issues, not least of which is who takes credit for ideas, who gets acknowledged in publications, and how authorship is managed. Yes, there are principles and guides for how to manage collaboration, but you only have to read social media for a few days to know that those at the top of team trees don’t always abide by the authoring/recognition rules.

I’ve been wondering what would happen if we regularly thought out loud about team work and collaboration…

“Barbie is a fashion doll manufactured by American toy company Mattel, Inc. and launched on March 9, 1959. American businesswoman Ruth Handler is credited with the creation of the doll using a German doll called Bild Lilli as her inspiration. Barbie is the figurehead of a brand of Mattel dolls and accessories, including other family members and collectible dolls. Barbie has been an important part of the toy fashion doll market for over six decades and has been the subject of numerous controversies and lawsuits, often involving parodies of the doll and her lifestyle. Mattel has sold over a billion Barbie dolls, making it the company’s largest and most profitable line. … The first Barbie doll wore a black-and-white zebra striped swimsuit and signature topknot ponytail, and was available as either a blonde or brunette. The doll was marketed as a ‘Teen-age Fashion Model’, with her clothes created…

“It’s only when I re-read Our Man in Havana that I realized I shared a street with the hapless spy hero of Graham Greene’s novel. My own office was in a grand trading exchange in the old city that dated back to the early 20th century. At Calle Lamparilla 1, the building was just a short distance from the fictional vacuum cleaner store run by Jim Wormold. The novelist gives the address of Phastkleaners as Lamparilla 37, but I’ve walked up and down the dusty street before without locating any building with that number. There are no houses at all between 2 and 61, just a small park. This time, though, I’m returning to the search with fresh information. Calle Lamparilla cuts through the historic heart of the city down to my old office near the dock. Sidestepping a couple of elderly men playing the fool for tips at a…

Hundreds of demonstrators jam sidewalks in the Southwood housing tract to march for fair housing in 1963.

“It was the hot, fraught summer of 1963. Every weekend 18-year-old college students Bobbie and Renee Hodges would trek over to the boiling, treeless Torrance housing tract of Southwood Riviera Royale, developed by Don Wilson Builders. With their teased hair and stylish summer shift dresses they looked like the quintessential early ’60s All-American girls. But this All-American neighborhood was closed to them, for the simple fact that they were black. To fight this injustice, they sat-in and picketed in front of the planned community’s sales office at 23448 Evalyn Avenue. The twins were ‘dedicated, dynamic and full of spirit,’ according to the Los Angeles Sentinel, and by August they had been arrested three times for their efforts. But Bobbie explained to the newspaper that their sacrifices were well worth it. ‘Our…

The Orlando Sentinel reported that Professor Sam Joeckel was fired by Palm Beach Atlantic University, a private Christian university where he has taught for more than two decades. A student complained that he discussed”racial justice” as a topic for his students to write about.

Joeckel walked into his office one day last week and discovered that his telephone and computer were gone. Apparently a parent complained that he was indoctrinating students by teaching about racism.

Joeckel had an idea something was up because he was called in by administrators to explain his rational for teaching about racial justice. There was also a rumor that he had said something positive about gay people,which the university forbids.

The president of the university, Dr. Debra Schwann, took a personal interest in the case.

The parent who complained had “a reasonable concern about Dr. Joeckel lecturing substantially on the history of racism and racial…

Anne Waldman, ed., The World Anthology: Poems from the St. Mark’s Poetry Project (1969)

“In the Spring of 1966, I couldn’t wait to graduate from Bennington, and get back ‘home’ (which meant Macdougal Street and subsequently St. Mark’s Place) and the ‘literary life.’ I had edited Silo magazine at school, and Lewis Warsh and I had founded Angel Hair magazine and books at the Berkeley Poetry Conference in the summer of 1965. The fall of 1966 was a critical time for me with Frank O’Hara’s tragic death, but I was also hired as an assistant to the newly christened Poetry Project, a place where ‘only’ poets could get jobs. Troubadour translator and New York poet Paul Blackburn had hosted open readings in the Parish Hall at St. Mark’s the previous year, after moving the scene from the Metro coffeehouse. Joel Oppenheimer, another poet, was named director. He had…

“Edward Palmer Thompson (3 February 1924 – 28 August 1993) was an English historian, writer, socialist and peace campaigner. He is best known today for his historical work on the radical movements in the late 18th and early 19th centuries, in particular The Making of the English Working Class (1963). Thompson published biographies of William Morris (1955) and (posthumously) William Blake (1993) and was a prolific journalist and essayist. He published the novel The Sykaos Papers and a collection of poetry. His work is considered by some to have been among the most important contributions to labour history and social history in the latter twentieth-century, with a global impact, including on scholarship in Asia and Africa. … Thompson was one of the principal intellectuals of the Communist Party of Great Britain. Although he left the party in 1956 over the Soviet invasion of Hungary, he nevertheless remained a…

Heather Cox Richardson writes in her blog “Letters from an American” about the Republican Right’s fascination with the authoritarian leader of Hungary, Viktor Orbán. Orbán is a critic of liberal democracy and a great admirer of Trump. It’s scary.

She writes:

At the Conservative Political Action Conference (CPAC) last weekend, Daily Wire host Michael Knowles said that “for the good of society…transgenderism must be eradicated from public life entirely—the whole preposterous ideology, at every level.” He worded his statement in such a way that it would inevitably create outrage that he could then angrily refute by insisting that “eradicating transgenderism” was not the same thing as eradicating transgender people. This sort of word game is a well-known right-wing tactic for garnering media attention.

Make no mistake: this attack on transgender people represents a deadly attack on the fundamental principle of American democracy, the idea that all people are created equal.

Revolutionary Space: The Situationist Excursions of 1968 – “A map of the fifth arrondissement of Paris, dated May 10th 1968, shows Rue Gay-Lussac and numerous streets south of Place du Panthéon blocked by black lines. Appearing in an account of the May uprisings in Paris by the Situationist René Viénet, the map marks ‘the defense perimeter and the emplacement of principal barricades in the occupied quarter’. 60 barricades were spontaneously thrown up that evening by thousands of demonstrators who converged on the Latin Quarter after the police had blocked their route to the Seine. Assailed by the police using gas and grenades, and fighting back with paving stones and Molotov cocktails, the protesters held onto the quarter until the early hours of the morning. Evidence of the fierce battle that raged was readily apparent the next day as smoke cleared from overturned cars lying across the streets, as barricades…

La Dolce Vita – Federico Fellini (1960)

“The previous article in the series about music in 1960 covered soundtracks for American films released that year. It was indeed a great year for music made for the movies, and not only in the US. On the other side of the pond a number of countries produced classic movies and soundtracks. We begin this review in The Eternal City and one of the most celebrated director/composer collaborations in the history of film-making. Federico Fellini arrived in the city of Rome in 1939 and spent the early part of his career as a magazine writer and editor. As a young man he experienced the excitement of living in the city and mingling with Rome’s café society, a glittery bohemian world of post-war Italy. In 1958 he started filming a movie loosely based on that period, splitting it into multiple episodes. It took him…