“At the end of the 60s, superstar drummer and angriest man in rock Ginger Baker was on the verge of collapse. Strung out on heroin, deeply grieving Jimi Hendrix’s death, and alienated from his former Cream and Blind Faith bandmates, he needed a new direction. He found it in Nigeria, where he decamped after driving a Range Rover from Algeria across the Sahara Desert. (A madcap adventure captured in the 1971 documentary Ginger Baker in Africa). Once in Lagos, Baker started jamming with Afrobeat legend Fela Kuti. The meeting of these two musical forces of nature produced a suite of recordings. ‘Baker’s drumming appeared on several albums alongside the Nigerian king of afrobeat,’ writes Okay Africa, ‘including Why Black Man Dey Suffer (1971), Live! (1972) and Stratavarious (1972).’ Kuti’s longtime drummer and arranger—and inventor of the “afrobeat”—Tony Allen was highly impressed with Baker’s range, and Nigerians, as Jay…
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“… A spaghetti western is a subgenre of the Western film. They were most common in the 1960s and 1970s. Spaghetti westerns are typically Italian-made Western films that emerged in the mid-1960s. There is no precise definition of a spaghetti western, and it is difficult to clearly define the term as it encompasses a wide variety of approaches, themes, and tones. Spaghetti westerns are further defined by the period they were produced, usually the late 1960s to the mid-1970s. Films of this era were released, among the most notable films, The Good, the Bad, and the Ugly (1966) and Once Upon a Time in America (1984). The majority of these films were produced in Italy by directors such as Sergio Leone and Sergio Corbucci. Still, there were also significant numbers of them made in Spain, Germany, and France. The Eurospy genre also falls within these parameters and refers to European…