
“At some point, John Cage must have decided he was not going to be one of the world’s great composers so he invented a fallback career for himself. Perhaps it was after Arnold Schoenberg, his teacher, said he was ‘not a composer, but an inventor – of genius.’ Mr. Cage became, instead, one of the leading philosophers and wits in 20thcentury music, a man whose influence went on expanding even while his composing pretensions seemed to shrink. … These are not the titles of musical works but of books in which Mr. Cage has verbalized, with his private blend of high seriousness and sly humor, the ideas that have unchained the imaginations of so many musicians and nonmusicians in our time. There is no question but that he was a welcome and liberating influence in a time dominated by Serialism and other forms of musical strait-jacketing. I must confess that…
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“… A spaghetti western is a subgenre of the Western film. They were most common in the 1960s and 1970s. Spaghetti westerns are typically Italian-made Western films that emerged in the mid-1960s. There is no precise definition of a spaghetti western, and it is difficult to clearly define the term as it encompasses a wide variety of approaches, themes, and tones. Spaghetti westerns are further defined by the period they were produced, usually the late 1960s to the mid-1970s. Films of this era were released, among the most notable films, The Good, the Bad, and the Ugly (1966) and Once Upon a Time in America (1984). The majority of these films were produced in Italy by directors such as Sergio Leone and Sergio Corbucci. Still, there were also significant numbers of them made in Spain, Germany, and France. The Eurospy genre also falls within these parameters and refers to European…


