“The Belgian-born writer, scholar and theorist Raoul Vaneigem (b. 1934) is best known as the author of the 1967 essay The Revolution of Everyday Life, a wide-ranging inquiry into the alienation of the individual under capitalism and an animated call for a post-capitalist society, grounded in radical self-management and non-hierarchical social relations. He wrote the book during his prolific involvement in the notorious and influential Situationist International (SI, 1957-1972). Born out of various surrealist avant-gardes of inter- and postwar Europe, the Situationists were a diverse, conspicuously small, but always strident transnational group of Marxian-inspired artists and writers, whose initial pursuit was to suspend the separation of art from the lived everyday. They consciously constructed ‘situations’ that were intended to subvert the bourgeois mundane of consumer capitalism, an order they described as spectacular society — a concept later fully elaborated by Guy Debord — that precluded authentic living and inevitably…

“Ben Davis’ excellent new book thoroughly explores the history, culture and importance of the repertory movie theaters that influenced the art film scene in New York City from the 1960s into the 1990s. In this well organized and impressively researched monograph, the author explains and analyzes the ways that the major repertory film theaters contributed to the film scene and to the creation of a cinephilic community – both casual and extreme- among a diverse group of filmgoers in New York City. Part One focuses on the First Wave of Repertory Theaters that took place in New York City during the 1960s. Davis begins this section with a clear explanation of the historical and cultural context in which these theaters emerged. He examines the larger art scene and the demographic changes taking place in New York and across the nation as part of a significant cultural revolution. He clearly defines…

Imagine a crusading news site in Mississippi, one of the poorest and most corrupt states in the nation. That news site is the Mississippi Free Press. It recently filed a complaint with the state ethics commission after it was excluded from a meeting of the GOP caucus, which is so large that it constitutes a quorum.

The ethics commission ruled that the state legislature is not a “public body.”

The Mississippi Ethics Commission held its likely final discussion on the Mississippi Free Press’ complaint against the State House of Representatives today, restating their disagreements over the commission’s decision to declare the Mississippi Legislature not a public body under the Open Meetings Act. The Zoom stream of today’s meeting had high attendance of up to 70 viewers at one time, including representatives of multiple media outlets.

The Mississippi Free Press first filed a complaint in April 2022, after this reporter was…

“For this nation’s army of conspiracy theorists, few long-secret government documents have whipped up so much suspicion in the 59 years since President John F. Kennedy’s death as the CIA’s massive, multivolume background file on assassin Lee Harvey Oswald. White House officials hope at least a little of that suspicion will be lifted later today, when President Biden is expected to order the National Archives to release once-classified information from about 8,000 documents related to the assassination, including many drawn from the so-called 201 ‘personality’ file the CIA maintained on Oswald before and after Kennedy’s murder. Officials involved in negotiations this fall among the White House, the National Archives and the CIA tell POLITICO Magazine the document release will be the most significant since 2017, when then-President Donald Trump waived a supposedly concrete legal deadline to declassify all secret government documents related to the JFK assassination. The 2017 deadline was…

The claim that public schools “indoctrinate” their students is an integral part of the rightwing attack on public schools . This is a canard, a bald-faced lie.

The rightwingers insist that any efforts to teach tolerance and acceptance of others is “indoctrination.” Teaching children the importance of justice, they say, is “woke.”

This is the mission of public schools: to teach children academic skills and knowledge, of course, but also to teach them to work with people who are different from them and their family.

Teaching children to live, work, and play with others and to respect others is important to the functioning of our democracy. We are a people of many diverse origins, different nationalities, different religions. One of the implicit functions of public schools is to help bind us together as one nation, one people who share civic values.

Do you know which schools truly indoctrinate students? Religious…

“Benjy Melendez bounds down a staircase at the entrance to the Prospect Avenue elevated subway station in the South Bronx, looks around at the buildings dotting the intersection and sweeps his left arm for emphasis as he declares, ‘This used to be paradise for The Ghetto Brothers!’ These days, the 60-year-old Melendez lives in Harlem, but as the 60s rolled over into the 70s, the South Bronx area he’s revisiting became the setting for a drama that saw a member of Melendez’s gang, The Ghetto Brothers, brutally bludgeoned and then stabbed to death – a loss that kick-started a peace-treaty between Bronx gangs and reinforced Melendez’s conviction to reposition his crew as a force for local good, shunting drug dealers out of the area and organising food and clothing drives. This broad redemption story also happened to play out against a curious musical backdrop of intermingling local Latin rhythms and…

“When I heard that a previously unpublished Sylvia Plath short story would appear in January 2019, I requested an electronic galley and then let the file sit unopened in my inbox for several weeks. I felt apprehensive, even frightened of it. I love Plath’s poetry, but what if I didn’t like this story? I read The Bell Jar so long ago, when I was fourteen or so, that I couldn’t remember anything about it. But I read The Catcher in the Rye at around the same time, and I remember that book clearly. Had I only meant to read The Bell Jar, and never finished it? Oh God, I thought, what if none of Plath’s fiction is good? I decided to read The Bell Jar again before addressing the new old short story. … The Bell Jar is also not just autobiographical but meta, which may be the defining…

Frank Stella, Tahkt-I-Sulayman Variation II, 1969.

“In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Donald Judd, Agnes Martin, Dan Flavin, Carl Andre, Robert Morris, Anne Truitt and Frank Stella. The movement is often interpreted as a reaction against abstract expressionism and modernism; it anticipated contemporary postminimal art practices, which extend or reflect on minimalism’s original objectives. Minimalism in music often features repetition and gradual variation, such as the works of La Monte Young, Terry Riley, Steve Reich, Philip Glass, Julius Eastman and John Adams. The term minimalist often colloquially refers to anything or anyone that is spare or stripped to its essentials. It has…

“Isadora (also known as The Loves of Isadora) is a 1968 biographical drama film directed by Karel Reisz from a screenplay written by Melvyn Bragg, Margaret Drabble, and Clive Exton adapted from the books My Life by Isadora Duncan and Isadora, an Intimate Portrait by Sewell Stokes. The film follows the life of American pionering modern contemporary dance artist and choreographer Isodora Duncan, who performed to great acclaim throughout the US and Europe during the 19th century. A co-production between the United Kingdom and France, it stars Vanessa Redgrave as Duncan and also features James Fox, Jason Robards, and John Fraser in supporting roles. Isadora premiered at the 1968 Cannes Film Festival where it competed for the Palme d’Or with Redgrave winning the Best Actress Prize.^[3] The film was theatrically released on 18 December 1968 by Universal Pictures to generally positive…

“The best Dick Gregory story is the time in 1961 when he got up in front of a largely white audience and delivered the joke about the white waitress at a restaurant in the South telling him that they don’t serve colored people. The joke ends: ‘That’s all right. I don’t eat colored people. Bring me a whole fried chicken.’ It is hard to know now how many people laughed. Or maybe the best Dick Gregory story is the one where he ran for mayor of Chicago in 1967, a campaign during which he was arrested by United States Treasury agents for printing and handing out fake dollar bills with his picture on them as a part of his campaign literature. Or else the best Dick Gregory story is the one about how, in 1971, he went without solid food for over two years to protest the war in Vietnam—once