
I have some mixed feelings about the work of Cormac McCarthy, the renowned author who died this past Tuesday, June 13, at the age of 89. Chief among them is his dearth of women characters in major roles; he was a novelist very focused on (white) males. Also, his depiction of violence could get to the very edge of being gratuitous.
Still, there was a time about a dozen years ago when I became engrossed in his fiction — reading eight of his bleak novels almost consecutively and then later a ninth. Why?
Well, the guy could flat-out write — producing prose and dialog that almost felt biblical (albeit occasionally veering into near-nonsense). That writing had southern gothic Faulkner vibes early in McCarthy’s career (when his novels were mostly set in America’s south) and terse Hemingway vibes later in McCarthy’s career (when his novels were mostly set in America’s southwest…
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“… A spaghetti western is a subgenre of the Western film. They were most common in the 1960s and 1970s. Spaghetti westerns are typically Italian-made Western films that emerged in the mid-1960s. There is no precise definition of a spaghetti western, and it is difficult to clearly define the term as it encompasses a wide variety of approaches, themes, and tones. Spaghetti westerns are further defined by the period they were produced, usually the late 1960s to the mid-1970s. Films of this era were released, among the most notable films, The Good, the Bad, and the Ugly (1966) and Once Upon a Time in America (1984). The majority of these films were produced in Italy by directors such as Sergio Leone and Sergio Corbucci. Still, there were also significant numbers of them made in Spain, Germany, and France. The Eurospy genre also falls within these parameters and refers to European…

